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                <text>Capital buildings</text>
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                <text>Small oil on canvas painting of the Boise capital with the foothills in the background.</text>
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                <text>Avery, Connie</text>
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                <text>.5 x .7 cm</text>
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            <description>The nature or genre of the resource</description>
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                <text>Boise</text>
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                <text>Oil painting</text>
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                <text>Decorative Arts</text>
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                <text>Sterling silver bon bon bowl in Nancy Lee pattern (x487). Antique silver typically has a hallmark, as seen on the bottom of this piece. The mark notes the manufacturer (“R” located inside a shield shape flanked by birds on either side).  The term “Sterling” is also visible which indicates 92.5% pure silver, 7.5% other metals.  Finally, this piece was crafted during a period when Reed &amp; Barton used a symbol to represent the year it was manufactured; here, a canon is depicted indicating the year 1940.</text>
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            <description>The nature or genre of the resource</description>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <description>A name given to the resource</description>
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                <text>Comtesse D’Haussonville Notecard</text>
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            <description>The topic of the resource</description>
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                <text>Notecards</text>
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                <text>Neoclassicism</text>
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                <text>Portraits </text>
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                <text>Notecard reproduction of painting by Jean-Auguste-Dominique Ingres, Portrait of Comtesse D’Haussonville.  </text>
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                <text>“Louise, Princesse de Broglie (1818–82) and granddaughter of Madame de Staël, married at the age of eighteen. Her husband was a diplomat, writer, and member of the French Academy, and she herself published a number of books, including biographies of Robert Emmet and Byron. For her time and her elevated social caste, she was outspokenly independent and liberal. This portrait, begun in 1842, was the fruit of several false starts and a great many preparatory drawings, including full-scale studies of the raised left arm, the head, and its reflection. According to a letter written by the artist, the finished work “aroused a storm of approval among her family and friends.” Ingres appears to have surprised the young lady in the intimacy of her boudoir, where she leans against an upholstered fireplace, having just discarded her evening wrap and opera glasses.” - Art in The Frick Collection: Paintings, Sculpture, Decorative Arts, New York: Harry N. Abrams, 1996.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1.55 x 1 cm</text>
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            <description>The nature or genre of the resource</description>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <name>Original Format</name>
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                <text>Emmy Lou: her book &amp; heart</text>
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                <text>Antiquarian book written by George Madden Martin, the pen name for Georgia Martin née Madden.  FIctional story is based on the life of a motherless child, Emmy Lou, in the early 20th century who is raised by aunts while her father is away.  Each chapter is based on a year in Emmy Lou’s education from early schooling to high school. Book is in fair condition with the owner's inscription, cracked hinges, worn and soiled pages, but remains intact. &#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Martin, George Madden 1866-1946</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>McClure, Phillips &amp; Co.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1902 </text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1.9 x 1.35 x .3 cm</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text</text>
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            <description>Date of copyright.</description>
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                <text>1902</text>
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                <text>Postcard image of presidential limousine turning onto Main Street in downtown Dallas</text>
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                <text>Postcard with image of presidential motorcade (Dallas). Reverse includes The Sixth Floor Museum at Dealey Plaza logo, description of image, copyright information, address, ISBN, bar code and indicator for stamp. </text>
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                <text> “Original 35mm black and white negative taken by Dallas Times Herald and United Press International newspaper photographer Darryl Heikes showing the presidential motorcade turning from Harwood street onto Main street in downtown Dallas. Secret Service Agent Clint Hill, assigned to Jacqueline Kennedy, occasionally rode on the rear bumper of the president's car, as seen in this image, when the crowds grew heavy.” -  The Sixth Floor Museum at Dealey Plaza</text>
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              <elementText elementTextId="913">
                <text>“This extraordinary image is perhaps the most famous photograph of the Kennedy motorcade not taken in Dealey Plaza.  According to his 2008 oral history with the Museum, photographer Darryl Heikes had noticed the large "All The Way With JFK" sign before the motorcade's arrival at the intersection and, in order to get the best photograph possible, asked the person holding the sign to make sure it was clearly visible when the limousine passed by.”  - Stephen Fagin, Curator, The Sixth Floor Museum at Dealey Plaza </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="914">
                <text>The Sixth Floor Museum at Dealey Plaza</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="915">
                <text>Heikes, Darryl</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="916">
                <text>Dallas Herald Times</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="917">
                <text>2017-04</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="918">
                <text>1.15 x 1.65 cm </text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="919">
                <text>Still Image</text>
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              <elementText elementTextId="920">
                <text>Printed ephemera</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="921">
                <text>November 22, 1963</text>
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